![]() There are three types of dashes and they should be used for their appropriate purposes (admittedly I am pretty lazy with this). While you’re here you may want to explore the other options available in the preferences panel, something many designers overlook. To do this, go to Edit > Preferences > Font Preview > Large. You will find other extra options here, all worth exploring.Ĭhoosing the right typeface for your particular project is not always going to be an easy task so why not make it a bit easier on yourself and bump up the sizing of your font previews. In the Paragraph tool panel, click the small arrow facing downwards (see pic below) to find the extra options and then click Roman Hanging Punctuation. By default this option is turned off, however, you can turn it on in the Paragraph tool panel. Roman hanging punctuation is an oft-overlooked area of typography, though, in more cases than not, applying it will give the edge of your body copy a much cleaner line. Three families with beautiful glyphs include Minion Pro, Burgues Script and Bickham Script Pro. Another tip here is to explore the full family of a particular font as you will find that some glyphs only appear in Italics. ![]() Once open, create a text field and then double click on the glyph you wish to use. You can find the Glyphs panel by going to Window > Type > Glyphs. ![]() The Glyphs panel, found in Illustrator and InDesign allows you to access a font’s full character set. Optical settings can often yield better results for display type. For text, metric or auto kerning is usually recommended though if you are combining different fonts or type sizes, you might consider Optical settings as Illustrator will adjust the letter fit for you. Knowing which one to use and when is usually based on what font you are using and how many built-in kerning pairs it has within the font. Throughout the Adobe CS, by using the Character panel, you can automatically kern type using metric kerning or optical kerning. For a look at what those changes do a font, make sure you view our video above.Improve your skills and workflow by exploring these five oft-overlooked aspects of Illustrator and typography the differences between optical and metric kerning, how to use the Glyphs panel, the use of Roman hanging punctuation, the correct use of dashes and how to edit the preferences to display large font previews… all tips worth knowing about. That gets you through the basics of OpenType. This is especially useful for swashes and other type features that you’d rather only have on select characters, not enabled for an entire section. Below the font, you’ll see alternate characters that you select. Hit “Shift T” to bring up the touch type tool, alternatively, you can select a single character. Of the rest of the buttons, there’s a “ Smallcaps” button on the first row which will use OpenType characters when available, or fake them if not.Ī note about Touch Type Tool: The best way to change single characters is to use the Touch Type Tool. ![]() Font makers can label each stylistic set, making it easier to tell what the stylistic set changes at a glance. They are different selections of stylistic alts usually, either with multiple full character sets, or smaller changes broken out into a menu. They’ve become somewhat of a catch-all for special features. Stylistic Setsor StylesetsThese are full sets of extra characters that you can enable. Following up you have a couple of options for numerals, like ordinals for styling “1st” or “2nd” with superscript, and fractions that stack fractions properly. Titling Alts- which add big swashes or a change in x-height to a character, making it stand out for titles. They can be expanded into multiple stylistic sets. Stylistic Alts- which are for changing the form of an entire font, often with a double to a single story “a”, or switching out the overall look of most vowels in scripts. Swashes- which are flourishes in a font used to add some spice, often at the beginning or end of words, especially in script fonts. They’re also used to connect characters, especially in script fonts. Standard ligatures- These are the ones you see in most fonts, like ff ligatures.Ĭontextual alternates- which are used to connect letters together, like “in.”ĭiscretionary ligatures- less used ligatures more for added style rather than overall coherence, like st ligatures shown in the example, commonly seen in old-school serif fonts. Let’s review what you have in the options below: The easiest way to do that is to hit command+T or alt+t on windows and then select the “Opentype” tab on the window that pops up. Since it works with text so much, Illustrator has great OpenType support, letting you easily access every character a font has.įirst, you need to open the character window.
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